An invitation to step into the temporality of a place – into a landscape that asks not only to be seen, but to be heard.

Immersive soundscape of historic S-Bahn sounds and song – a homage to 100 years of the Berlin S-Bahn.

Silent photography instead of sound – the classic telephone box as a vanished piece of urban furniture, once a space for undisturbed communication in the midst of the city.

Acoustic traces of the Gwangju Uprising of 1980 – the atmospheric presence of historical sites meets eyewitness accounts.

Binaural 3D audio for headphones – rockets collide with sweet temptation; a radio play parody caught between news agency propaganda and late-night show.

Surround sound performance in the round – time as orbit, where past and future collide like particles.

A rotating speaker pendulum transforms electromagnetic pollution into an audible spectrum.

Sound object with soot particles from diesel exhaust on a vibrating canvas.

Word and space sound installation in the old cellars of the Kindl Brewery – voices and instrumental sounds echo through solitary darkness.

Immersive soundscape composition with sea salt – sounds of winds, tides and salt harvesting make the maritime atmosphere of Sinan tangible to multiple senses.

Immersive soundscape installation with floating bamboo moulds and black light – in search of the sounds of growing bamboo.

Sound installation with a vibrating sun lounger – sounds from supermarket refrigerators and checkout scanners confront us with our own patterns of consumption.

Immersive quadraphonic soundscape composition – authentic natural sounds bring an imaginary garden to acoustic life.

Soundscape composition on a vibrating wooden crate – authentic sounds from the islands of Sinan make the merging of nature and civilisation perceptible.

Soundscape installation – sounds of the Korean island of Anjwa, caught in the cycle of human intervention in nature.

Electroacoustic composition from street sounds, crowd chants and cheers following a World Cup match in Berlin, 2002.